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Love, Simon isn't the first film to tackle what it's like to come out in high school, but it is the first one released by a major studio. That's admirable, even if the film's chaste attitude toward sex means they're seeing only a part of a version of themselves onscreen. It's entirely intentional - in interviews, filmmaker Greg Berlanti says Love, Simon presents a well-scrubbed version of the coming out process so that queer kids can finally see an idealized version of themselves onscreen.
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But once again that familiar apportioning occurs - Simon's sexuality is kept feathery and abstract, and any depiction of same-sex attraction is saved for the film's emotional crescendo. Director: Mike Mosallam Stars: Haaz Sleiman, Michael Cassidy, Amin El Gamal, Patrick Sabongui Votes: 2,844 5. Enter Kal, an All-American guy who surprises Mo by offering to break fast with him during the holy month of Ramadan. Love, Simon is also set in a high school, and also features a young man struggling to come out - it's the story of its main character's private and public acknowledgement of his Queer Identity. 76 Metascore Mo, a practicing Muslim living in West Hollywood, is learning to navigate life post heartbreak. Monkey See A Gay Teen Romance, Sealed With A Peck: 'Love, Simon' That fact also serves, intentionally or not, to cause these films to concern themselves more expressly with Queer Identity than Queer Desire. In American films like Making Love (1982), In & Out (1997), Beginners (2010) and 4th Man Out (2016), the process of coming out is complicated by the fact that it occurs later in life than is usual. Which is probably why we keep making movies about it. It's marked by fits and starts, denials and avowals, fraught conversations in somebody's car, the fear of rejection and, hopefully, the relief of acceptance. It has a timeline, and not necessarily a smooth one. What does not vary in the process of coming out is the fact that it is a process. The process of coming to terms with one's sexuality varies widely, depending on the individual - it can be scary, invigorating, heartbreaking, life-affirming usually it's some complex combination of those feelings and more.
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Billy (Alex Lawther) and Blah Blah Blah (AnnaSophia Robb) in 2018's Freak Show.