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You’ve pursued this course at a moment when the contemporary art world increasingly shows its bias for recognizability and branding. You’re beginning to hint at the range of your visual and material approaches, which has only become more varied with time. Of course, paper stock certificates are obsolete, and banknotes seem to be headed that way. They are draped like ersatz classical statuary, standing or sitting in conventional poses rather than performing any productive task. In rich countries, workers make appearances on stock certificates, but only in the guise of allegorical figures. With so-called hard currencies, the sense of repression is intense it is not to be looked at, only used, and there is a total absence of images that the people who handle this money on a daily basis might identify with. There is an axiom here: a nation’s political and economic power is in inverse proportion to the beauty of its currency. It quickly became obvious to me that the currencies of powerful countries are, with the sole exception of the Swiss franc, as ugly as filth. This period culminated in the production of the video Model Workers (2014), a montage of currencies mainly from socialist countries and former colonies arranged in chronological order. I decided to concentrate on examples that featured representations of workers, the source of the wealth embodied in these pieces of paper. Often my work is motivated by simple questions, for instance, What’s missing? or What hasn’t been noticed? For a few years, I collected currency and stock certificates. Gay porn was considered beneath scholars’ attention, but in its crudeness, I found it more appropriate as an object of historical analysis than masterpieces of film art, with all their insinuating rhetoric and idiosyncrasies of personal expression. When I made The Fall of Communism…, such material had not yet been studied seriously. Still, I was amazed to see signs of an epochal social transformation unintentionally documented in the tapes available for rent at my neighborhood video store. It’s more a case of grotesque and cruel economic mismanagement causing unemployment, hyperinflation, and depression. I’m not proposing that the development of a sex industry simply brings fascism into being. The Czech Republic has sustained a thriving sex economy for decades and not descended into fascism but political outcomes in Hungary, Russia, and most recently, Poland, have not been hopeful. In the second instance, it’s still an open question, and subject to national or regional variations. In the first instance, this departure from the norm was a prelude to fascism. There have been two major exceptions: Germany between 19, and Eastern Europe after the fall of communism. It almost never involves sex with poor white people. Sex tourism generally develops when white people from rich countries have the opportunity to fuck the people of the Third World. To subscribe to our mailing list, please click here.
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Jones, The Fall of Communism as Seen in Gay Pornography will be on view through August 26, 2020, 8:00 am Pacific Time. Jones, please click "INQUIRE" below to email our team. Firsthand: William E.
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If you are interested in purchasing the featured work or inquiring about additional works by William E. In this interview with Stuart Krimko, the gallery’s Research and Editorial Director, Jones discusses the video’s genesis, historical background, and continued relevance. It is comprised entirely of footage from gay adult videos made in Eastern Europe in the first years after the arrival of capitalism. The Fall of Communism as Seen in Gay Pornography (1998) is an important video from a moment in Jones’s career when he was beginning to leave behind the world of independent documentary cinema for a more free-wheeling practice that existed-and continues to exist-at the margins between several disciplines. He alternately employs research, critique, autobiography, fiction, and appropriation to offer bracing-and often controversial-reassessments of the historical record. Jones has produced a genre-defying body of work that includes films, videos, photographs, and texts.